Possibly the final Christmas issue of the series, issue 183 hit spin racks and newsstands for the 1978 holiday season.

The title was a numbered continuation of the Dennis the Menace Giant series that ran from 1955 to 1970 when this, the Bonus Magazine Series, began with issue 76. This incarnation continued through the late 1970s to issue 194.

Each October Fawcett rolled out another Christmas issue. By 1978 Hank Ketchum’s creation was focusing on anti-smoking PSAs as featured in the lead story:  “Santa’s Flaws.”

The remainder of the book served as a tub thumper for UNICEF. “He’s a Card,” “Dennis and Joye” (really spelled that way) and “Kid Stuff” all promoted Polish physician Ludwik Rajchman’s brain child.

UNICEF was created in 1946 to provide emergency food and healthcare to nations ravaged by World War II. In 1950 UNICEF extended its mission profile to include long-term needs of children and women in developing countries. In 1953 it became a permanent part of the United Nations System.

In 1965 UNICEF was awarded the Nobel Peace Prize.

(Image scans by Heritage Auctions.)

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Remember where you were in 1984?

For me it was my final year of high school. Van Halen was about to unleash their last album with David Lee Roth. The Police were about to break up. George Orwell’s dystopian novel of political fiction was a buzz word.

Comic readers/collectors/enthusiasts were paying 60 cents a book at the news stand. Specialty shops were still in their infancy. Yet, if you heeded Hulk’s offer, subscribers would receive a 14-issue subscription for “…only $6.00. That’s just 43 cents a copy!”

As a “special bonus” if two titles were bought at the low, low price of six bucks, the subscriber would then be eligible to add a third title for – get this – five bucks. “That’s just 36 cents a copy! You save 40-percent on your third title!”

Titles available ranged from Alpha Flight to X-Men. In all, 25-regular monthly books were offered. Included were such titles as G.I. Joe, Crystar, Indiana Jones and Rom.

Only the venerable Savage Sword of Conan still existed under the magazine imprint and considered one of the “special” titles each month. The book boasted a hefty $17 price tag. Other “special” books included the in-house ad book Marvel Age, Ka-Zar, Micronauts, Moon Knight, What If…?, Conan the King, and Marvel Fanfare.

Cheer up, Batman.

Artwork by The-Blackcat.

Cheers, everyone.  Here’s to 2019.

Batman (1940) 247

Denny O’Neil and Irv Novick turned a hat trick with this, the third of Batman’s Christmas stories, since his return from post CCA crack down and television days. The previous two holiday tales were served up in Batman 219 and 239. For some reason the Dark Knight never celebrated in Detective Comics.

For the 1972 season O’Neal corrals both Christmas and New Year’s with “Merry Christmas…And a Deadly New Year!” The first vignette deals with the capture and subsequent escape of a terrorist who has stolen a deadly virus.

Christmas isn’t very merry as Batman and the Gotham Police Department spend the week prior to New Year’s searching for the vial. The adventure goes down to the wire as Batman finally discovers, and foils, the attempt as the ball drops counting down the end of one year and the beginning of another.

A late Christmas gift scrolled across my Facebook feed today.

If you’re familiar with holiday super hero specials – or are a regular Four Color Holidays reader – you’re likely already aware of 1988’s Christmas With The Super-Heroes #1.  Featuring cover artwork by John Byrne, the issue is known for it’s whimsical display of DC heroes gathered around a Christmas tree.  It’s a favorite among holiday comic fans, myself included.

But how might this cover be presented today, revisited and recolored with modern technology, different sensibilities and an artist’s personal flare?  Scott Dutton recently shared his take, including a breakdown of the process from original artwork to final product.

Be sure to visit Scott’s Catspaw Dynamics at the earliest opportunity, where you’ll find countless more of his comic art recolorations and restorations.

Rip Hunter, Time Master, plays storyteller to a group of post-apocalyptic survivors sometime in the mid-21st century who are bent on eating their guest.

DC’s Nuclear Winter Special

Of the 10 “cataclysmic carols,” Flash, Super Girl, Firestorm and Green Arrow top the list.

Hunter stalls for time, waiting for his time sphere to recharge, by relating stories starring the stable of DC characters. This year’s special is hit or miss in wringing emotion from readers.

As stated above, Flash’s “Once and Future,” Super Girl’s “Last Daughters,” Firestorm’s “Last Christmas” and Green Arrow’s “Super Birds of Christmas past, Present and Future” are the headliners.

“Last Christmas” may be the best of that group. Paul Dini is the writer, so no surprise there.

The remainder of the book is taken up by Damion Wayne having assumed the mantle of Batman in “Warmth.”
Superman’s “Memory Hearth” by Steve Orlando is forgettable.

“Where Light Cannot Reach” capitalizes on Aquaman and his silver screen blockbuster that has already taken China by storm.

Surprise guest Kamandi stars in “Northern Lights.”

Finally, Catwoman appears in “Nine Lives.”

Not as memorable as the DC Rebirth Holiday Special. Just nice to see DC continues to offer Christmas comics each year.

Finally, some down time devoted to catching up on hauls from the year past.

Pulling from a box of unread issues, I decided to finish what Marvel Team-Up books I’d picked up. As most any collector of any length of time can tell the uninitiated, you tend to give, buy and trade/sell books on a regular basis. Spider-Man titles are no exception.

Marvel Team-Up (1972) 79

I know I’ve owned issue 79 before. I know I’ve read it before. But, when I cracked the cover and started, I was pleasantly surprised to find this is a Christmas comic book.

Of sorts.

The story takes place Dec. 22, 1978. Chris Claremont is very specific on that. The date is front and center in the opening dialog box. The snow is falling across New York City, evening a backdrop as the moon shies behind thick stratus clouds. No colored lights lift the night’s burden. The first few pages are exercises in a Glynis Wein blue period.

Having set the mood, in prose and color, a young John Byrne pencils Spider-Man swinging to the Daily Bugle for the annual Christmas party. A quick change to Peter Parker and the titular character is greeted by Mary Jane and mistletoe.

What romance she wished to rekindle is squashed as Peter is ushered out the door on assignment to cover strange doings up town.

As promised on the cover, Red Sonja guest stars with Spidey making for an odd pairing. Still, the story works. And, as any red blooded American boy from the 1970s can vouch, when you found an appearance of Red Sonja on the spin racks, it was a good week.

Claremont and Byrne, already a team on The Uncanny X-Men, wrap the story up in the industry standard 17 pages leaving the reader fulfilled and satisfied their 40 cents didn’t go to waste.

Still out on this one. Of course I’m still out on Skottie Young’s take on Deadpool. Daniel Way is, by far, my favorite of the Merc With the Mouth scribes, though Nick Giovanetti and Paul Scheer made for a talented team on Spider-Man/Deadpool.

“Christmas Missed Us,” takes a page out of Keith Giffen’s Lobo’s Paramilitary Christmas Special. Actually, it takes a huge chunk of pages complete with a contract on Santa and showdown at the North Pole.

This time ‘round, Deadpool is contracted by a very disgruntled contingent of children when the Jolly Fat One fails to make his rounds. Pooling allowances and a healthy response to a hastily gathered “gopayme” account, DP’s fee is rendered.

Young deviates further by saving Santa the ignominy of having sat the season out via his own volition. Instead an evil elf has organized the other elves and rallied them around corrupt corporate-at-large (at least in the Marvel universe) Roxxon.

Deadpool fulfills his obligations and saves Christmas making for a happy ending all the way ‘round.

The 2018 Christmas season was celebrated with a plethora of seasonal covers and stories. Much thanks to both Marvel and DC for their efforts to keep us readers happy.

Merry Christmas from those “meddling kids” and dog as well as Jeff and I at Four Color Holiday Comics.

Now that paper has been shredded and curiosities sated, it’s time to settle back with a final adventure from Mystery Inc. before the New Year. Just remember, as 2019 dawns so does the 50th anniversary of Scooby-Doo.

That’s 350 in dog years.

Scooby-Doo (1997) 115

Scooby and the gang have appeared in comic book form since 1970, just one year after their CBS network debut. Gold Key rehashed their Saturday morning adventures as reimagined by Phil DeLara, Jack Manning and Warren Tufts for 30 issues.

Charlton picked up the license next publishing 11 issues in 1975. Marvel offered nine issues from 1977 to 1979. The franchise sat idle on the comic book front until 1993 when Harvey Comics reprinted the Charlton years. Archie Comics was next in line printing a meager 21 issues.

By 1995 Warner Bros. and DC Comics were under the same roof and Scooby-Doo found a home where he remains to this day.

Issue 115 contains two stories and a Yeti tutorial.

In It’s a Wonderful Fright Shaggy is George Bailey to a Smithsonian of spooks dating to the first season of Scooby-Doo, Where Are You! A reoccurring theme in his dream – and the franchise – brings Shaggy to the realization of who is really behind the Ghost-Face-look-a-like mask and the mystery.

Following Velma’s brief interlude with Tales from the Yeti, the gang take on Santa’s Evil Elves.

Another round of costumed crooks attempt to steal food from the mouths of babes. It’s up to Scooby and Mystery Inc. to stop their nefarious plan – with a little help from a (very) old friend.

Let that digest with the turkey and trimmings and enjoy the evening. Another year is about to close, but, as touted above, 2019 will be the year of Scooby-Doo.  Who’d’ve thought a dog named after a Sinatra scat would become such an icon?