Deadpool tagged posts

Season’s Beatings (2019) 1

Here’s one that slipped past me last Christmas.

At first glance, not much to write home about. “Pete & Miles in Off Duty,” is no Spider-Man: Into the Spider-Verse. Only the best incarnation of all the silver screen Spider-Mans by the way. No, “Pete & Miles in Off Duty” is, well, not sure how to describe it.

Confusing?

In a way.

Lifeless?

Yeah, you could say that.

In short it’s just not good.

Now, “Nuts and Bots” is a different story. Literally. Squirrel Girl and Doc Doom. C’mon. That’s a match up. Not a heavy weight title bout, but still way more entertaining than midget wrestling.

Finally, Squirrel Girl is getting a little respect. She deserves it. Her own title and some guest appearances. Good stuff.

What I haven’t mentioned about the holiday special is the Deadpool framing sequence. Deadpool is our emcee for the show. In a Saturday Night Live or old Muppet Show twist, Deadpool is brought forward from behind-the-scenes allowing Squirrel Girl to interact with him.

The two go toe-to-toe, not with fisticuffs or weapons, but in a far more deadly verbal one-on-one.

Finally, “Holi-La-La-Days” continues to make amends for a slow start. Deadpool steps out of the framing sequence to help move the story to a satisfying conclusion with Hawkeye playing detective.

A worthy addition to anyone’s holiday collection.

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Deadpool (2018) 7

Still out on this one. Of course I’m still out on Skottie Young’s take on Deadpool. Daniel Way is, by far, my favorite of the Merc With the Mouth scribes, though Nick Giovanetti and Paul Scheer made for a talented team on Spider-Man/Deadpool.

“Christmas Missed Us,” takes a page out of Keith Giffen’s Lobo’s Paramilitary Christmas Special. Actually, it takes a huge chunk of pages complete with a contract on Santa and showdown at the North Pole.

This time ‘round, Deadpool is contracted by a very disgruntled contingent of children when the Jolly Fat One fails to make his rounds. Pooling allowances and a healthy response to a hastily gathered “gopayme” account, DP’s fee is rendered.

Young deviates further by saving Santa the ignominy of having sat the season out via his own volition. Instead an evil elf has organized the other elves and rallied them around corrupt corporate-at-large (at least in the Marvel universe) Roxxon.

Deadpool fulfills his obligations and saves Christmas making for a happy ending all the way ‘round.

The 2018 Christmas season was celebrated with a plethora of seasonal covers and stories. Much thanks to both Marvel and DC for their efforts to keep us readers happy.

 

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Deadpool’s Christmas Vacation

Deadpool lampoons a favorite holiday film.  Artwork by Marco D’Alfonso.

Deadpool's Christmas Vacation

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Deadpool Christmas Trailer

Replete with the character’s trademark wit and blue sense of humor, Ryan Reynold’s silver screen Deadpool has proven a hit with comic book fans.  Leading up to the original film’s 2016 release, a Christmas themed trailer teaser trailer (yes, that’s right – a trailer teaser trailer – because these are a thing now) was released in late 2015.  Enjoy.

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A Deadpool Thanksgiving

Thanksgiving: a time for gratuitous gluttony, family feuding and Black Friday ads clogging newspapers, any form of digital media and television.

And, Deadpool.

At least for the 2017 kick off to the holiday season.

Rather than take traditional avenues, the marketing gurus at Disney chose to take a road less traveled by the normal Deadpool demographic. To tease the then six-month off sequel to the 2016 surprise blockbuster, a Norman Rockwellesque poster was featured in the 2017 holiday issue of Good Housekeeping.

Deadpool grossed $363.1 million domestically and $783.1 million worldwide. All on an investment of $58 million. The sequel fared almost as well, grossing $734.2 million to date against the $110 budget.

His cover appearance in the venerable Hearst Corporation staple was explained in the following editorial:

“Deadpool’s persistence to be in Good Housekeeping was impressive – initially we had no idea who he was, let alone that he was a fan of the magazine,” says Jane Francisco, Editor in Chief, Good Housekeeping. “But after repeated attempts to ignore his… passion… we came to a compromise. He could appear in one issue, if he promised to stop leaving care packages at our editors’ homes and agreed to maintain a 50-foot distance from the Good Housekeeping offices and our staff.”

“After years of weekly emails and countless carrier pigeons, Good Housekeeping finally returned my calls,” says Deadpool. “And while it’s a dream come true, apparently we have vastly different opinions on the definition of a ‘holiday spread’…”

Click the “Read More” button for some of Deadpool’s Thanksgiving recipes – our apologies in advance for the bad puns and double entendres.

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Spider-Man/Deadpool 12

Cronus, or Saturn, decks the concrete canyons of New York with bodies to show his displeasure at having his holiday usurped by a fat man catering to the kiddies.

Title characters Spidey and Deadpool are tapped to stop the Christmas carnage by showing him the true meaning of the holiday with an evening of debauchery to turn back the time and tide of destruction.

The issue is gift wrapped with laughter and an exchange of pleasantries and presents.

Spider-Man/Deadpool 12

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